Poetry Is Not Just The Vision Of The Writer - 1036 Words

Poetry exists at a junction between language and state of mind. Poetry is not just the vision of the writer put to a page, meant to evoke and inspire readers. Poetry is thoughts concealed given breath—a story reflecting the interior landscape of the mind. Just as it can be a breath of air, poetry can grip the heart—the mind can be an awfully dark place. Within gothic poetry the horror and fears of the poet lie just beyond the words of the poem itself. The words are emotional viscera given form. Poetry is aesthetic and inspiring and its brevity extends it to forms beyond itself. The works of romantic poets have been recycled and reimagined as a result of our continued love affair with the ideas of the gothic and supernatural. The works of†¦show more content†¦Films, music, video games, opera, art, and comics are all belonging together within the same family. Each of these creative modes utilizes the gothic in new ways though they all give viewers the experience of the sublime. They continue to shock us out of the limits of our everyday lives with the possibility of things beyond reason and explanation, through the shape of awesome characters, terrifying scenes, and inexplicable and profound events. This literary movement continues to affect the creative world today because its deep connection to the surreal. This, when raised to the level of poetry, reveals the very essence of the genre: an expression of the range, gall, depth, and visceral power of the human imagination. Gothic literature itself owes much to its roots and to Horace Walpole’s The Castle of Otranto—a story incorporating the supernatural, cursed lords, monks, princesses, romantic love, and gloomy castles, and other elements that essentially constitute the genre. In its second edition, titled A Gothic Story, Walpole’s novel consolidates the fanciful element medieval romance with the realism of the modern novel—finding an intermediary point that cr eated many other staple traits of gothic literature that would come to influence and draw the attention of many writers. â€Å"Like most terms denoting genre or periodization, ‘gothic’ is retrospective, coined in Britain after its referents had come to dominate the shelves of circulating libraries and the boards of the